savannah college of art and design Atlanta building
SCAD Atlanta chose to display my work along with two other artists during the month of May on their LED screens facing Peachtree Street in Atlanta!
Sidewalk Arts
Savannah College of Art and Design’s annual Sidewalk Arts Festival
SCAD deFINE Art
Cindy Ji Hye Kim
'SILHOUETTES IN LUNE'
FEB. 2 - JULY 29, 2024
Cindy Ji Hye Kim presents Silhouettes in Lune, a site-responsive installation of paintings, sculptures, and a hand-drawn mural that spans the upper portion of the gallery. The exhibition reflects the artist’s preoccupation with the psychological space of the unconscious, its secrets and symbols, and its narrative potential within the anatomy of an image.
Silhouettes in Lune is organized by SCAD Museum of Art curator Ben Tollefson and presented as part of SCAD deFINE ART 2024.
Cao Fei
'AT THE EDGE OF SUPERHUMANITY'
FEB. 26 - JULY 29, 2024
Since the early 2000s, SCAD deFINE ART honoree Cao Fei has produced forward-thinking work that acutely responds to and reflects on — in real time — shifts in our perception and experience of reality during periods of rapid globalization, urban development, and technological advancement. A pioneer of creating digital worlds, Cao Fei transforms two galleries at the SCAD Museum of Art into an immersive multimedia installation featuring live-action films, as well as virtual, augmented, and mixed-reality environments for visitors to explore. Blurring distinctions between the terrestrial and the cyber, the familiar and the futuristic, Cao Fei reveals how the spaces we inhabit shape our identities and social interactions, and ultimately redirect our search for meaning and purpose in life.
At the Edge of Superhumanity is organized by SCAD Museum of Art assistant curator Brittany Richmond and presented as part of SCAD deFINE ART 2024.
Awol Erizku
'X'
FEB. 26 - AUG. 5, 2024
In his debut solo museum exhibition, Awol Erizku focuses on pioneering American Muslim human rights activist El Hajj Malik El-Shabazz (Malcolm X) as a subject of personal inspiration and complex cultural significance. Erizku views the historic figure as a metaphorical prism of faith, masculinity, transformation, and a vessel for truth. This ambitious exhibition is composed of new and recent works by Erizku, including iconic photographs, sculptures, works on paper, a powerful film, and an installation of a rare historic manuscript. Together, they collectively convey the artist’s multidisciplinary practice and dynamic approach to a diverse range of media. Presented in the SCAD Museum of Art’s Walter and Linda Evans Center for African American Studies, the exhibition critiques the Eurocentric canon of art and history, with Malcolm X serving as a key figure connecting the U.S. and Africa. Erizku posits his singular aesthetic as a means to link ancient mythology, diasporic tradition, and contemporary culture as an antidote to closed-mindedness — striving toward Malcolm X’s late-life universalism and dedication to the “overwhelming spirit of true brotherhood.”
X is organized by SCAD Museum of Art chief curator Daniel S. Palmer and presented as part of SCAD deFINE ART 2024.